By Cynthia Citron LOS ANGELES — Since he wrote it in 1984, Larry Shue’s play The Foreigner has been produced and revived by amateurs, students, and professional companies almost continually. It’s a two-act, two-and-a-half-hour absurdist comedy that taxes the abilities of the lead actor, who has to speak in gibberish the entire time. Fortunately, Mike Niedzwiecki is up [...]
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